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Delusion of the leftists: Luvvies whose theater has been invaded by the refugees attacked against ‘climate change denaders’ and ‘imperialism’ while crying for help … but do not say a word about the 400 migrants who unleash the hell

Delusion of the leftists: Luvvies whose theater has been invaded by the refugees attacked against ‘climate change denaders’ and ‘imperialism’ while crying for help … but do not say a word about the 400 migrants who unleash the hell

The supporters of the left of a theater in Paris occupied by hundreds of migrants have requested that the authorities intervene urgently to reassure them, so that they can return to their work to fight against “imperialism” and climatic denial.

The Radical Management of the Gaîté Lyrique welcomed asylum applicants as part of an event more than 80 days ago, but they have refused to leave since then, driving the place towards bankruptcy with all the shows and canceled events.

Some 200 young men moved mainly last December when management gave them free tickets for a conference of ‘refugees welcome in France’, but their numbers have now increased to more than 440.

The crisis in the theater, one of the most historical arts of the French capital, has been “so explosive” that his staff declared that they would retire today amid an increasingly “desperate” situation.

It is said that the sixty employees are ‘exhausted’, with ‘moral at zero’ in the midst of reports of violence related to sex and ‘deplorable’ conditions in the square area of ​​600 meters where hundreds of people were covered.

An open letter published yesterday and signed by more than 300 ‘cultural, political and civil actors of society, asks the Paris authorities to save the theater so that he can return to how things were before becoming improvised accommodation.

“The Gaîté should not be a victim of what makes him vibrate: his resonance with the times and his dramas!” The letter of the Creatives of the left declared, seemed to blame the chaos authorities, instead of those who occupy the theater.

He said that while Gaîté was previously “a popular and economic success” that allowed people to unite to “decipher the time and face the challenges of our time”, now it cannot “not fulfill its mission” due to the crisis.

Delusion of the leftists: Luvvies whose theater has been invaded by the refugees attacked against ‘climate change denaders’ and ‘imperialism’ while crying for help … but do not say a word about the 400 migrants who unleash the hell

The number of migrants occupying the theater has increased in recent weeks to around 440

Photos of Inside The Theater Show People Sleeping on Tables in narrow conditions

Photos of Inside The Theater Show People Sleeping on Tables in narrow conditions

An isolated minor sitting in a chair and sleeping with the arms on a table during the occupation

An isolated minor sitting in a chair and sleeping with the arms on a table during the occupation

“For 80 days, the Gaîté Lyrique has been occupied by more than 400 young people and no solution has been found to end the crisis or provide refuge,” says the letter, which was shared by the theater management.

‘The place in no way is suitable for this occupation and the equipment, Valiant and United, face this dramatic situation with dignity.

‘Closed to the public, Gaîté Lyrique has had to cancel innumerable events, his activity is at a dead point. It is a cultural and social lung of the city that no longer breathes.

The theater and its sponsors have repeatedly blamed for the situation with local authorities and the French government.

In December, the Council led by Socialist of Paris, owner of the building, says that it was looking for accommodation for migrants but that none was available.

He asked that the government take care of the problem, but it is said that the centrist cabinet of President Emmanuel Macron ignored the application and is reluctant to get involved in the debacle.

The theater is owned by the city of Paris, dominated by socialists and green.

A judge of the Administrative Court of Paris ordered the evacuation of the building on February 13, but the Council has refused to involve the police.

The open letter was published the same day as a statement published by the theater management.

He warned that “without the intervention of the authorities for Friday, the Gaîté Lyrique Company and its teams will be forced to leave the building.”

About 200 young men moved mainly to the theater in Paris last December when management gave free tickets to a refugee conference in France.

About 200 young men moved mainly to the theater in Paris last December when management gave them free tickets for a conference of ‘refugees welcome in France’

Local officials have insisted that those living inside are adults and that most are known by the authorities and had been sleeping in the streets before entering the theater

Local officials have insisted that those living inside are adults and that most are known by the authorities and had been sleeping in the streets before entering the theater

He says that “they will suspend the execution of service suppliers contracts in charge of fire safety, safety, hygiene and cleaning, maintenance and waste collection.”

Management warns about an ‘explosive and unworthy situation’ that is ‘increasing in gravity’.

Beyond the fights due to sexual tensions, migrants have been seen treating and using drugs.

The staff has been acting as “security guards on the site, although this is not their set of skills or their work,” says the statement.

Despite this, the statement says that the staff has also been “cozy and protecting the occupants.”

Dozens of migrants, most of which are from African countries, are seen in an area of ​​the Gaîté Lyrique Cultural Center

Dozens of migrants, most of which are from African countries, are seen in an area of ​​the Gaîté Lyrique Cultural Center

Daily demonstrations were made on the theater steps, which is known for organizing radical presentations

Daily demonstrations were made on the theater steps, which is known for organizing radical presentations

The videos show huge crowds gathered in the 'General Assemblies', which begin with the battery and the slogans sounded through megáphones

The videos show huge crowds gathered in the ‘General Assemblies’, which begin with the battery and the slogans sounded through megáphones

Migrants are being supported by political activists even more than left than theater management.

Calling themselves the collectif des Jeunes du Parc of Belleville, after a Parisian park, see that the occupation is part of the ‘anticolonial and anticolonial struggle’.

Local companies have complained about losses due to occupation.

The Bistrot next to the 19th century, a popular place for viewers to eat and drink before and after the shows, has reported € 30,000 in lost income so far.

“They are ruining my business,” said Manager Elia, daughter of Algerian migrants, to The Times in December.

‘They stay out of my terrace, smoking joints and fighting each other. Not only do we no longer get theater attendees because the theater is closed, but we don’t have passers -by. They are being scared by all these young people.

The 1,800 seat building that houses the current Gaîté Lyrique was built in 1862 and was held by the operettas of organizing operettas by Jacques Offenbach, the French composer born in German, in the 19th century.

On November 1, France reinforced its borders with six of its neighboring members of Schengen: Belgium, Germany, Italy, Luxembourg, Spain and Switzerland, with greater controls.

The controls were applied to travelers entering France through land, sea and air routes of the six nations and will last until April 1, 2025, but the authorities have said that they could extend even more.

A French government statement declared that checks were introduced due to ‘serious threats to public policies, public order and internal security raised by high -level terrorist activities … criminal networks that facilitate migration and irregular smuggling, and migration flows that risk infiltration by radicalized individuals’.

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